The color line, double consciousness and the African American experience — a landmark work.
Why this book matters
The book that gave America the language to talk about race — W.E.B. Du Bois's The Souls of Black Folk remains one of the most important works ever written on this continent.
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Of Our Spiritual Strivings O water, voice of my heart, crying in the sand, All night long crying with a mournful cry, As I lie and listen, and cannot understand The voice of my heart in my side or the voice of the sea, O water, crying for rest, is it I, is it…
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The book that gave America the language to talk about race — W.E.B. Du Bois's The Souls of Black Folk remains one of the most important works ever written on this continent.
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- W.E.B. Du Bois (the narrator)
- The author himself, a Black scholar and sociologist who serves as narrator and guide, exploring what it means to live 'behind the Veil' of race in America.
- Booker T. Washington
- The most prominent Black leader of the era, introduced as an advocate of industrial education, economic self-help, and political conciliation toward the white South.
- Alexander Crummell
- An elderly Black clergyman and scholar whose life story is held up as an example of a gifted man struggling against isolation, doubt, and racial prejudice.
- Josie
- A bright, eager young girl from a poor rural Tennessee family whom Du Bois meets while teaching school; she hungers for education and a better life.
- George L. White
- A white Freedmen's Bureau teacher in Nashville who formed a singing class of Black children and went on to found a traveling choir to share their music with the world.
- The Grimkés, Kelly Miller, and J. W. E. Bowen (the 'other group' of Negro leaders)
- A cohort of educated Black thinkers introduced as holding views distinct from Washington's, insisting on voting rights, civic equality, and higher education.
Glossary
- The Veil
- Du Bois's central metaphor for the invisible barrier of race separating Black Americans from full participation in and recognition by white America.
- Double-consciousness
- Du Bois's term for the psychological experience of Black Americans seeing themselves both through their own eyes and through the contemptuous gaze of white society.
- The color-line
- Du Bois's famous phrase for the racial divide he identifies as 'the problem of the twentieth century.'
- Sorrow Songs
- Du Bois's name for the African American spirituals/slave songs, which he treats as the great original American art form and as coded expressions of suffering and hope.
- Atlanta Compromise
- The nickname for Booker T. Washington's 1895 speech accepting social segregation in exchange for white support of Black economic advancement.
- Freedmen's Bureau
- The U.S. government agency (1865–1872) created to assist formerly enslaved people with education, labor contracts, and legal protection after the Civil War.
- Black Belt
- The historic region of the Deep South with fertile soil and a dense enslaved and later Black population, discussed as the heart of the South's racial and economic order.
- Shouting (the Frenzy)
- An ecstatic form of worship in Black religious services—rhythmic movement, cries, and trance-like states believed to signal the presence of the Holy Spirit.
- Jubilee Singers
- The touring choir from Fisk University that popularized the slave spirituals internationally, raising money to sustain the school.
- Obi / conjure
- African-derived folk-magic and spirit practices (witchcraft, spells, exorcism) that Du Bois describes as surviving among enslaved people alongside Christianity.
Table of contents
- I.Free
- II.Free
- III.Free
- IV.Free
- V.Free
- VI.Free
- VII.Free
- VIII.Free
- IX.Free
- X.Free
- XI.Free
- XII.Free
- XIII.Free
- XIV.Free
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