The world's most famous love story — two star-crossed lovers in Verona.
Why this book matters
Four centuries old and still the world's most recognizable love story — Romeo and Juliet is stranger, funnier, and darker than you remember.
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Free Audiobook · ACT I: Scene I. A public place.
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ACT I Scene I. A public place. Scene II. A Street. Scene III. Room in Capulet’s House. Scene IV. A Street. Scene V. A Hall in Capulet’s House. ACT II CHORUS. Scene I. An open place adjoining Capulet’s Garden. Scene II. Capulet’s Garden. Scene III. Friar…
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Why does Romeo and Juliet matter?
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Four centuries old and still the world's most recognizable love story — Romeo and Juliet is stranger, funnier, and darker than you remember.
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- Romeo Montague
- A young man of the house of Montague who begins the play lovesick over a woman named Rosaline, then falls suddenly and deeply in love with Juliet at a Capulet feast.
- Juliet Capulet
- The thirteen-year-old daughter of Lord and Lady Capulet, who falls in love with Romeo the night they meet despite their families' feud.
- Benvolio
- Romeo's cousin and loyal friend, a peacemaker who tries to understand and ease Romeo's moods and de-escalate street conflicts.
- Mercutio
- A witty, quick-tempered kinsman of Prince Escalus and friend to Romeo, known for his bawdy jokes and his mockery of both love and Tybalt's dueling fashions.
- Friar Lawrence
- A Franciscan friar and Romeo's confessor, skilled in herbal medicine, who agrees to secretly marry Romeo and Juliet hoping it might end the feud.
- Nurse
- Juliet's loud, earthy caretaker and confidante since infancy, who serves as a go-between for the young lovers.
- Tybalt (Prince of Cats)
- Juliet's fiery, quarrelsome cousin, a skilled duelist who despises the Montagues and is enraged to find Romeo at the Capulet feast.
- Paris
- A young nobleman and kinsman of the Prince who seeks Lord Capulet's permission to marry Juliet.
- Lord Capulet
- Juliet's father, head of the Capulet household, initially cautious about marrying off his daughter too soon.
- Lady Capulet
- Juliet's mother, who encourages her daughter to consider Paris as a suitor.
- Montague
- Romeo's father, head of the Montague household, worried about his son's mysterious melancholy.
- Lady Montague
- Romeo's mother, who appears briefly expressing relief that her son avoided an early street brawl.
- Prince Escalus (the Prince)
- The ruler of Verona who has grown weary of the ongoing violence between the Montagues and Capulets and threatens death to those who disturb the peace again.
- Rosaline
- A woman Romeo is infatuated with at the play's opening; she never appears onstage and has sworn to live chaste.
Glossary
- Wherefore
- An archaic word meaning 'why', not 'where' — as in Juliet's famous line asking why Romeo must be a Montague.
- Coz
- A familiar shortening of 'cousin', used between kinsmen like Romeo and Benvolio.
- Benedicite
- A Latin blessing meaning 'bless you', used by Friar Lawrence as a greeting.
- Shrift/shrive
- Confession and absolution given by a priest; to 'shrive' someone is to hear their confession.
- Prick-song
- Written (as opposed to improvised) vocal music; Mercutio uses it to mock Tybalt's overly precise, rule-bound dueling style.
- Passado, punto reverso, hay
- Italian fencing terms for specific sword thrusts, mocked by Mercutio as fashionable jargon among affected duelists.
- Princox
- An insulting term for a conceited, insolent young person, used by Capulet to scold Tybalt.
- Palmer
- A pilgrim, especially one who had visited the Holy Land; Romeo and Juliet play on this word in their shared sonnet of first meeting.
- Swounded
- An archaic form of 'swooned', meaning fainted.
- Osier cage
- A basket woven from willow branches, used by Friar Lawrence to gather herbs and flowers.
- Distemperature
- A disturbance or disorder, here referring to an unsettled state of mind or body.
- Enanmour'd
- An archaic spelling of 'enamoured', meaning deeply infatuated or in love with something.
Table of contents
- ACT I: Scene I. A public place.Free
- ACT I: SCENE I. A public place.Free
- ACT II: Enter Chorus.Free
- ACT III: SCENE I. A public Place.Free
- ACT IV: SCENE I. Friar Lawrence’s Cell.Free
- ACT V: SCENE I. Mantua. A Street.Free
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