Ambition, marriage and reform in a provincial English town — considered the greatest English novel.
Why this book matters
Virginia Woolf called it 'one of the few English novels written for grown-up people' — and she was right. Here's why Middlemarch still matters.
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Since I can do no good because a woman, Reach constantly at something that is near it. —The Maid’s Tragedy: BEAUMONT AND FLETCHER. Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. Her hand and wrist were so finely formed…
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Virginia Woolf called it 'one of the few English novels written for grown-up people' — and she was right. Here's why Middlemarch still matters.
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- Dorothea Brooke (Dodo)
- An idealistic, intellectually earnest young gentlewoman living with her uncle, who longs for a great purpose in life and dreams of aiding a great mind's work.
- Mr. Edward Casaubon
- An elderly, reclusive clergyman-scholar reputed for his profound learning and long-labored (but as yet unpublished) work of religious history; he becomes Dorothea's suitor.
- Will Ladislaw
- Mr. Casaubon's young second cousin, artistic, restless, and independent-minded, whose relationship to Casaubon's household draws him into Dorothea's orbit.
- Tertius Lydgate
- A newly arrived young doctor in Middlemarch with progressive medical ideas and ambitions of scientific discovery, determined to practice honestly despite local custom.
- Rosamond Vincy
- A beautiful, accomplished young woman from a prominent Middlemarch family, admired for her music and polish, who catches Lydgate's attention.
- Fred Vincy
- Rosamond's amiable but financially careless brother, expected by his family to enter the clergy though his heart isn't in it.
- Mary Garth
- A plain-spoken, sensible young woman who works as companion to the wealthy old Mr. Featherstone and has known Fred Vincy since childhood.
- Mr. Nicholas Bulstrode
- A wealthy, outwardly pious Middlemarch banker with strict evangelical views, active in founding a new hospital and influential in town affairs.
- Sir James Chettam
- A good-natured local baronet initially drawn to Dorothea, who later marries within her family circle.
- Mr. Brooke
- Dorothea and Celia's amiable, scatterbrained uncle and guardian, a landowner with vague dabbling interests in politics and ideas.
- Celia Brooke
- Dorothea's younger sister, more conventional and practical, often puzzled by Dorothea's intensity.
- Rev. Camden Farebrother
- A witty, unpretentious clergyman and naturalist, well-liked in Middlemarch, who becomes acquainted with Lydgate.
- Caleb Garth
- Mary's father, a respected, honest land agent and builder valued for his practical competence.
- Mrs. Cadwallader
- The sharp-tongued, socially astute wife of the local rector, given to frank opinions about the neighboring gentry.
Glossary
- living
- A clergyman's appointed church position and its income; a major concern for characters like Fred Vincy and Mr. Farebrother.
- codicil
- A legal addition or amendment to a will, used pivotally to attach conditions to Casaubon's bequest to Dorothea.
- entail
- A legal restriction tying an estate's inheritance to a specific line of heirs, discussed regarding the Brooke family property.
- Reform / Municipal Reform
- Reference to the real 19th-century British political movement to expand voting rights and reform local government, forming the novel's historical backdrop.
- Dissenter / Methodist
- Terms for Protestants outside the established Church of England; used sometimes disparagingly by characters to describe Bulstrode's evangelical piety.
- Whig and Tory
- The two main British political factions of the era, roughly reform-leaning versus conservative, whose rivalry shapes town politics.
- infirmary / New Hospital board
- The governing committee overseeing Middlemarch's medical charity institutions, a site of professional and religious rivalry in the novel.
- assessment
- A local tax or levy raised for public works, such as the sanitary and burial-ground measures debated at the Town-Hall meeting.
- sciolism
- Superficial or pretended knowledge; used by Casaubon to disparage Will Ladislaw's intellectual seriousness.
- the lowering system
- A now-outdated medical practice of aggressive bloodletting and purging to 'lower' a patient's condition, referenced regarding old-fashioned doctors.
- Theresa (Saint Teresa)
- Referenced in the novel's Prelude and Finale as a figure of frustrated feminine ardor and reforming zeal, used as a touchstone for Dorothea's own thwarted aspirations.
Table of contents
- Chapter I.Free
- Chapter IIFree
- Chapter III.Free
- Chapter IVFree
- Chapter V.Free
- Chapter VI.Free
- CHAPTER VII.: “Piacer e poponeFree
- Chapter VIII.Free
- CHAPTER IX.: 1_st Gent_. An ancient land in ancient oraclesFree
- Chapter XFree
- Chapter XI.Free
- CHAPTER XII.: He had more tow on his distaffeFree
- Chapter XIII.Free
- CHAPTER XIV.: “Follows here the strict receiptFree
- Chapter XV.Free
- CHAPTER XVI.: “All that in woman is adoredFree
- CHAPTER XVII.: “The clerkly person smiled and saidFree
- CHAPTER XVIII.: “Oh, sir, the loftiest hopes on earthFree
- CHAPTER XIX.: “L’ altra vedete ch’ha fatto alla guanciaFree
- Chapter XX.Free
- Chapter XXI.Free
- CHAPTER XXII.: “Nous câusames longtemps; elle était simple et bonne.Free
- Chapter XXIII.Free
- CHAPTER XXIV.: “The offender’s sorrow brings but small reliefFree
- Chapter XXV.Free
- Chapter XXVIFree
- CHAPTER XXVII.: Let the high Muse chant loves Olympian:Free
- Chapter XXVIIIFree
- Chapter XXIXFree
- CHAPTER XXX.: Qui veut délasser hors de propos, lasse.—PASCAL.Free
- CHAPTER XXXI.: How will you know the pitch of that great bellFree
- CHAPTER XXXII.: They’ll take suggestion as a cat laps milk.Free
- CHAPTER XXXIII.: “Close up his eyes and draw the curtain close;Free
- Chapter XXXIV.Free
- CHAPTER XXXV.: “Non, je ne comprends pas de plus charmant plaisirFree
- Chapter XXXVI.Free
- CHAPTER XXXVII.: Thrice happy she that is so well assuredFree
- Chapter XXXVIIIFree
- Chapter XXXIX.Free
- CHAPTER XL.: Wise in his daily work was he:Free
- Chapter XLI.Free
- CHAPTER XLII.: How much, methinks, I could despise this manFree
- CHAPTER XLIII.: “This figure hath high price: ’t was wrought with loveFree
- CHAPTER XLIV.: I would not creep along the coast but steerFree
- Chapter XLV.Free
- Chapter XLVIFree
- Chapter XLVII.Free
- CHAPTER XLVIII.: Surely the golden hours are turning grayFree
- CHAPTER XLIX.: “A task too strong for wizard spellsFree
- CHAPTER L.: “This Loller here wol precilen us somewhat.”Free
- CHAPTER LI.: Party is Nature too, and you shall seeFree
- CHAPTER LII.: “His heartFree
- Chapter LIIIFree
- CHAPTER LIV.: “Negli occhi porta la mia donna Amore;Free
- CHAPTER LV.: Hath she her faults? I would you had them too.Free
- CHAPTER LVI.: “How happy is he born and taughtFree
- CHAPTER LVII.: They numbered scarce eight summers when a nameFree
- Chapter LVIII.Free
- Chapter LIX.Free
- CHAPTER LX.: Good phrases are surely, and ever were, very commendable.Free
- Chapter LXIFree
- Chapter LXII.Free
- Chapter LXIIIFree
- Chapter LXIVFree
- Chapter LXV.Free
- Chapter LXVI.Free
- CHAPTER LXVII.: Now is there civil war within the soul:Free
- CHAPTER LXVIII.: What suit of grace hath Virtue to put onFree
- CHAPTER LXIX.: “If thou hast heard a word, let it die with thee.”Free
- Chapter LXX.Free
- Chapter LXXI.Free
- CHAPTER LXXII.: Full souls are double mirrors, making stillFree
- CHAPTER LXXIII.: Pity the laden one; this wandering woeFree
- CHAPTER LXXIV.: “Mercifully grant that we may grow aged together.”Free
- Chapter LXXVFree
- CHAPTER LXXVI.: To mercy, pity, peace, and loveFree
- Chapter LXXVII.Free
- Chapter LXXVIII.Free
- Chapter LXXIXFree
- CHAPTER LXXX.: Stern lawgiver! yet thou dost wearFree
- Chapter LXXXI.Free
- CHAPTER LXXXII.: “My grief lies onward and my joy behind.”Free
- CHAPTER LXXXIII.: “And now good-morrow to our waking soulsFree
- Chapter LXXXIV.Free
- Chapter LxxxvFree
- Chapter LxxxviFree
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